“When you’re given a limit and you’re given boundaries, sometimes creation is even better.”-David Hallberg
A few years ago, in my book Broke is Beautiful, I wrote about the role of constraint in creativity. I was reminded of it today while watching the video above (in which the ballet dancer David Hallberg is not constrained by a shirt being a shirt and wears it like a wig).
Let me share with you some of what I uncovered:
Dr. Patricia Stokes studied artistic innovators such as Igor Stravinsky, Pablo Picasso and Frank Lloyd Wright and determined that contrary to common belief, it is not complete freedom that leads to creative innovation. Successful artists move forward within self-imposed restrictions. Stokes calls these constraints “barriers that lead to break-throughs.”
Stokes makes a distinction between the kinds of constraints that invite conformity, “operators in well-structured problems with single correct solutions, like directions to memorize, calculate exactly, or copy correctly… preclude the surprising and promote the expected.” Other types of structures and constrains, however, provide a foundation upon which a person can build and innovate…
For 10 years, Arnold M. Ludwig studied the lives of 1,004 men and women prominent in a variety of fields including art, music, science, sports, politics and business. He published the results in the 1995 book The Price of Greatness: Resolving the Creativity and Madness Controversy. As part of his study, Ludwig identified a “template for greatness.” Among the traits of exceptional people were a sense of physical vulnerability, and the existence of psychological “unease.” …
“Denying limitation or obsessing on it keeps us knotted up in fear,” wrote Laurence G. Boldt, author of Zen and the Art of Making a Living, “Aritsts play with limitation… There are only so many words in any language, but that doesn’t keep the poet from writing. There is only a certain range of color the eye can see, but this doesn’t keep the painter from painting. There are a limited number of notes that we can hear, but that doesn’t keep the composer from composing… Don’t spend your time worrying that someone else has forty-eight or sixty-four crayons. As you are, you are basically adequate to life.”